Shadowing practice: mike trying to tell eleven that he LOVES HER | stranger things
Listen to the line, then say it out loud
Full transcript
- Oh.0:00
- Is that hurt?0:02
- Mm, not bad.0:04
- You're gonna have an awesome scar.0:06
- You'll look even more badass.0:09
- Bitchin'.0:11
- Yeah, bitchin'.0:12
- Elle.0:17
- Yeah?0:18
- I've been meaning to tell you something.0:20
- It's just being broken up.0:22
- It's been hard.0:25
Show all 33 lines Show fewer lines
- Come on.0:26
- Come on.0:27
- And I like that you and Max are friends now.0:30
- It's just I was jealous at first and angry.0:33
- And that's why I said all that stupid stuff.0:37
- And it's like I wanted you all to myself.0:39
- And now I realize how unfair that is and selfish and like, I'm sorry.0:42
- I just like, I've never felt like this, you know, with anyone before.0:48
- And, you know, they do say it makes you crazy.0:52
- What makes you crazy?0:59
- You never, you ever heard that term, you know, like the phrase, like blank makes you crazy, like the word.1:02
- Girlfriends?1:10
- No, no, no, no, not girlfriends.1:10
- Boyfriends?1:12
- No, no, no, no, not boyfriends either.1:12
- It's like, it's like a feeling.1:14
- Yeah, like something like, like, like, old people say it to each other sometimes.1:16
- Old people?1:20
- Yeah, what I want to say is that I just, I know that I...1:20
- Just end the copy.1:27
- I repeat, repeat, to the corner, red.1:29
A B1 Stranger Things scene: Mike stumbles through telling Eleven he loves her
This clip is a good pick if you want to learn english with series instead of textbook dialogue. Mike is trying to tell Eleven how he feels and keeps circling the point instead of landing on it, so you get real hesitation: false starts, filler words, and a pace of 182 words per minute across 33 lines, faster than most of the catalogue. The scene sits at B1, so the vocabulary stays simple even where the delivery gets messy.
It also works as american accent training, because the accent is casual and quick without turning into slang you would never use yourself. You hear a teenager thinking out loud rather than reading a line, which is closer to how people actually talk than a scripted monologue, and that is exactly the kind of speaking practice worth repeating.
The language in this clip: restarts, a dropped g, and one real gonna
Whisper's transcript keeps every hesitation, and that is what makes this useful for practising how to pronounce english words the way people actually say them, not the textbook version.
- "You're gonna have an awesome scar." carries the reduced gonna you will hear constantly in casual American speech, worth shadowing on its own until it stops sounding like two words stuck together.
- "Yeah, bitchin'." repeats the line before it and drops the final g, the kind of -in' ending relaxed speech uses instead of a full -ing.
- "And now I realize how unfair that is and selfish and like, I'm sorry." is one long run on line stitched together with and and like, so the challenge is keeping rhythm and breath going without a pause.
- "You never, you ever heard that term, you know, like the phrase, like blank makes you crazy, like the word." has Mike restarting the same thought three times before he lands on the phrase, good material for natural self correction instead of a clean rehearsed sentence.
How to shadow this line by line, in order
Work through the scene in the order it happens rather than jumping around. This is B1 level shadowing english speaking practice, so slow repeats matter more than speed at first.
- Start with line 4, "You're gonna have an awesome scar." Say it slowly once, then match the recording's pace on the second try.
- Move to lines 6 and 7, "Bitchin'." and "Yeah, bitchin'." Shadow both back to back so the repeated word and the dropped g land the same way twice.
- Take the long line 19 in two breath groups: "And now I realize how unfair that is and selfish" then "and like, I'm sorry." Splitting it makes the run on sentence manageable.
- Finish on line 23, the heaviest restart in the scene. Repeat it until three attempts come out sounding the same as one, then say the whole exchange from line 8 through line 23 without stopping to check how fluently you can hold the thread.
- If you want to keep the accent work going after this scene, look for another B1 clip from the same channel and shadow it the same way, one line, several repeats, before moving to the next.