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Практика английского по видео: Bryan Cranston Fully Commits While Eating Spicy Wings - Hot Ones

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  1. It takes a big jump.0:00
  2. Oh, this was a white napkin when I started.0:02
  3. Mm -hmm.0:05
  4. MUSIC Hey, what's going on, everybody?0:09
  5. For First We Feast, I'm Sean Evans, and you're watching Hot Ones.0:14
  6. It's the show with hot questions and even hotter wings.0:17
  7. And today we're joined by Brian Cranston.0:19
  8. He's a six -time Emmy -of -word -winning actor you know from acclaimed Broadway performances, films that include 2013's Best Picture, Argo, and iconic TV shows like Malcolm in the0:21
  9. Middle and Breaking Bad.0:29
  10. He also stars in the crime drama Your Honor, which returns for its much -anticipated second season on Showtime January 15th, and I for one can't wait.0:30
  11. Brian Cranston, welcome back to the show.0:38
  12. Oh, Sean, I'm already regretting this.0:40
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  1. What's going through your head as you prepare to take on this gauntlet for a second time?0:43
  2. When I did this before, it was like eight years ago, when I was promoting Y .H .I .M.0:46
  3. And I thought when I left, I thought, that was the most bizarre interview I've ever done.0:52
  4. This won't last.0:57
  5. It's a gimmick.1:00
  6. No celebrity in their right mind is going to do what I just...1:01
  7. Oh my God.1:05
  8. How many years have you been doing this now?1:06
  9. Since then, so yeah, like eight years.1:08
  10. Believe it or not.1:11
  11. And they said, you want to go on Hot Ones again?1:13
  12. I go, yeah.1:15
  13. Wait a minute, what was Hot Ones?1:16
  14. Wait, wait, wait.1:18
  15. But I'm up for the task.1:20
  16. I'm up.1:22
  17. I'm not familiar with any of these hot sauces, so you'll have to introduce them to me.1:23
  18. As we go along.1:28
  19. Well, it'll be an education.1:29
  20. Are you ready to get started?1:30
  21. Now your eyes are already starting to water.1:49
  22. Well, I'm just happy and proud to see you again.1:52
  23. It's more sentimental than anything.1:54
  24. Okay.1:56
  25. Well, this one is tasty, but not that hot.1:57
  26. Enjoy that while you can.2:00
  27. So there's some basic similarities between Michael, your character, and your honor, and Walter White, and the sense of having a good character who makes some dark choices in an2:09
  28. effort to protect their family.2:18
  29. What fascinates you about the life forces that can push an otherwise upstanding member of society towards a dark and morally compromised path?2:19
  30. Well, from an acting standpoint, they're the most fun to play.2:27
  31. When you have characters that are damaged to a certain point, complex, conflicted, flawed.2:31
  32. But I think what is the key to getting an audience behind you on those is that they see that there's something else trying to get out, trying to be2:40
  33. better, trying to improve.2:49
  34. And as long as an audience sees that someone isn't just relishing being bad, they'll root for you.2:51
  35. You know?3:00
  36. Chiquanda's Banshee Ranch.3:05
  37. Ooh.3:07
  38. Tasty.3:11
  39. So in a fresh air interview on the heels of your Tony Award winning performance as LBJ and all the way, you tell a fascinating little detail about the vocal3:13
  40. strain and physical toll of doing an eight show per week Broadway schedule.3:22
  41. What are silent Mondays and why have they served as a secret weapon for you?3:27
  42. There's a beautiful and talented actor named Audra McDonald.3:32
  43. And she is not only a great actor, but a terrific singer.3:38
  44. And she was doing Porgy and Bess at the time I was about to come in with All the Way, which is a three hour play.3:43
  45. And I can already start to feel the strain on my vocal cords.3:50
  46. And I thought, oh my God, I'm about to do six months on Broadway.3:56
  47. I need help.4:00
  48. How did you do Porgy and Bess?4:01
  49. And she told me that she went, I think, to her ear, nose and throat doctor and he wrote a prescription for her.4:03
  50. And the prescription was for silence.4:10
  51. No laughing, no whispering, no utterance of any kind completely shut down the vocal cords.4:14
  52. And I thought, you know what, I'm going to do that.4:22
  53. So at first it was odd, but I kept a pad around and my wife was there.4:25
  54. And I go, you know, hungry lunch and I go out and I go to a restaurant.4:29
  55. What's the soup?4:34
  56. You know, and pretty soon I started to keep some of these.4:35
  57. Where's my soup sign?4:38
  58. Here it is.4:39
  59. You know, it's like, what's the soup?4:40
  60. And people would go, they didn't get it that I'm on.4:42
  61. And I wrote one.4:46
  62. I'm on vocal rest.4:47
  63. Right.4:49
  64. And then in response to that, they go, oh, okay.4:49
  65. And I had another one.4:53
  66. You don't have to whisper.4:55
  67. Kadejo.5:02
  68. Man, it's a nasty looking thing.5:03
  69. Yeah.5:05
  70. It's like a mythical sort of like dog wolf.5:05
  71. And then when it would attack its eyes turn red.5:08
  72. Well, that happened to us when we eat it sauce.5:11
  73. We'll see if it's an attack mode.5:13
  74. They should do a little special effects right now.5:15
  75. Okay.5:20
  76. So while reading your memoir, a life in parts, I was really captured by the romantic way that you talk about baseball and being inspired by the way Walt Disney5:22
  77. And then when the Hollywood swing for the left field fences when the LA Dodgers played in the LA Coliseum, do you have an all time favorite vinscullism?5:29
  78. Well, I thought I did in 81 when he talked about, if you have a sombrero, throw it to the sky.5:37
  79. When Fernando Valenzuela pitched a no hitter, but then in 88, Kirk Gibson hits his home run.5:47
  80. You know, and he says, in a season filled with unprobable, the impossible has happened.5:54
  81. I still feel like I'm in mourning for him passing because I've been listening to him for 60 years and Vince Scully represented to me just more than baseball.6:02
  82. To me, it was a sanctuary.6:13
  83. When I had a rough childhood, I can always tune out, put on my transistor, put in my earphones and listen to him take me away.6:16
  84. And at least for those three hours, I felt like I was going to be okay.6:28
  85. Everything's safe, nothing to worry about.6:32
  86. And I would just listen to his mellifluous voice and he would tell stories and I would just go off and I'd get a baseball game I hear.6:35
  87. It just felt like floating sometimes.6:43
  88. Yeah.6:49
  89. Los Galientes Verdes.6:55
  90. Okay.6:57
  91. Going in.6:59
  92. Yeah.7:01
  93. Okay.7:02
  94. All right, so far so good.7:06
  95. There we go.7:08
  96. What did you mean when you said that an actor approaching a comedic scene can't for one second think what they're doing is funny?7:10
  97. If you're doing a sketch, like if you're doing Saturday Night Live, part of the fun from the audience perspective is they're having fun knowing you're having fun, right?7:16
  98. And so you're kind of in on it.7:29
  99. We all laugh when someone breaks character and starts cracking up and they're trying to look away.7:30
  100. We get even more enjoyment out of it and that's legitimate.7:35
  101. It's fun.7:39
  102. It's loose.7:40
  103. It's light.7:41
  104. But if you're doing a film or a television show that's carefully scripted, if the character realizes something's funny, it takes the onus off the audience to laugh because they're7:42
  105. doing it.7:58
  106. You're doing it.7:59
  107. It's the same thing when a character easily cries.7:59
  108. If a character cries easily, the audience doesn't have to.8:05
  109. But if a character tries not to cry, that's when the audience will.8:10
  110. Yeah, a little bit of courier.8:20
  111. So far, we're five in, five to go.8:23
  112. Halfway point.8:27
  113. Yep.8:28
  114. I gotta say, tasty, but not crushing.8:30
  115. Not like, oh my God, I can't do this anymore.8:35
  116. See, I told you, there should have been no nervousness about coming back, no anxiety about coming back.8:37
  117. You got this.8:43
  118. Well, this is only half time.8:44
  119. We got the whole second half.8:45
  120. We'll all do into a false sense of security in the front half.8:48
  121. Yeah.8:51
  122. So we talked to actors in the past about picking and sequencing roles, but you're the first one I've ever come across that has a full blown project assessment scale8:52
  123. where you break down everything from story to script, role, director and cast.8:59
  124. Of all the scripts that have come across your desk, what percentage would you say failed the writing test and then how early can you tell?9:05
  125. So the one I mentioned before that didn't have a high scale on the on the writing was why him.9:12
  126. Why him had a very simple premise.9:21
  127. Midwestern dad doesn't like the boyfriend of his, his, you know, cherished daughter.9:24
  128. That's it.9:30
  129. And I just didn't.9:32
  130. Anyway, I talked to my publicist and I said, is it possible that I can get a hold of Paul Rudd?9:34
  131. So I called Paul and I said, Paul, you worked on these movies before.9:42
  132. The script seems just kind of there.9:49
  133. There's some funny situations and jokes, but it doesn't like wow.9:52
  134. And he goes, that's kind of the nature of this kind of movie.9:58
  135. It relies heavily on the ensemble cast to be able to punch it up and just play.10:02
  136. So we will do scenes.10:10
  137. We will shoot the scene as it's written.10:12
  138. And then, then you go, then you're adding lines, then you're, how about this?10:14
  139. And then someone says something you add to on top.10:18
  140. Then pretty soon you're like, whoo, whoo, whoo, and it becomes something completely different.10:20
  141. And you can't script that.10:26
  142. Several improvisations that I came up with ended up in the film and it was like, oh man, this is, this is so much fun.10:28
  143. And so I learned my lesson from that.10:35
  144. It was a good lesson that that scale that I usually go by is not always accurate.10:37
  145. Mushroom mayhem.10:49
  146. Okay.10:49
  147. More portobello.10:52
  148. More portobello -ish.10:54
  149. So when we had Margot Robbie on the show, she talked about how working in soaps was a really great and valuable education for an actor because it taught you10:59
  150. how to work fast and be word perfect.11:07
  151. Does that resonate with you?11:09
  152. Yeah, fast.11:11
  153. You got to work fast.11:12
  154. And there's a pattern in daytime television.11:12
  155. I don't even know if the medium really even works anymore, but the pattern in daytime was people are watching a few times a week, but not every day.11:16
  156. Like two or two and a half times a week or something is the average.11:26
  157. So if I said, Sean, I saw you with Margot the other day and you're trying to get Catalan away from me, I will kill you.11:30
  158. You know, and then the next day, I might say, remember, Sean, when I warned you, when you talked to Margot, that if you got in the way of Catalan,11:40
  159. I would kill you.11:49
  160. It's so similar.11:51
  161. It's so similar that your brain said, no, you just said this and you're going, oh my God, I just said this.11:52
  162. I'm repeating it.11:57
  163. And you just go through.11:58
  164. I learned just plow through because at first I would stop and go, oh, sorry, I'm repeating, aren't I?11:59
  165. And they go, no, that's the line.12:05
  166. Oh, I'm so sorry.12:07
  167. Now I'm more sorry.12:08
  168. So now I just learned just go through and then go, was that right?12:10
  169. Yeah, it was right.12:14
  170. Okay.12:15
  171. And you move on.12:16
  172. Now we're getting psychotic.12:17
  173. Angry goat dreams of Calypso.12:19
  174. That's an interesting taste.12:26
  175. Mm -hmm.12:28
  176. Smells like Calypso.12:31
  177. Yeah, I can sense that coming down the line.12:38
  178. So I know that herbal tobacco is often used as a marijuana substitute in TV and film.12:42
  179. Do you have any insight into what goes into making like TV math?12:47
  180. Like what is TV math?12:51
  181. TV methamphetamine, the way we made it with a little blue tint, is actually rock candy.12:54
  182. And it and the flavor was cotton candy, rock candy.13:03
  183. I never tasted it until one night we were working.13:08
  184. It was probably the 16th or 17th hour we're working in the, in our dungeon downstairs, our lab down there.13:12
  185. And Gus Fring is making sure we're working and we're working.13:22
  186. And I see Aaron Paul reach into our product, our handful of our product and starts throwing, throwing the methamphetamine in his mouth.13:26
  187. I go, what are you doing?13:36
  188. You can't eat the product.13:38
  189. He goes, I'm getting so tired.13:39
  190. I mean, it's like you're really getting a high off this.13:41
  191. It's like, well, it's sugar.13:44
  192. And he goes, you've tasted it.13:46
  193. I go, no, I haven't tasted it.13:48
  194. He goes, oh, you should taste it.13:49
  195. I go, no, I don't think so.13:50
  196. He goes, and I guess I was still in character because Walter White wouldn't.13:52
  197. Right.13:56
  198. He goes, no, I'm not doing that.13:57
  199. And he goes, take, you gotta have one.13:59
  200. Yo, have one.14:02
  201. That's what he would say.14:04
  202. And so, all right, all right, to shut you up.14:06
  203. And I tasted one.14:09
  204. It was like, that's pretty good.14:10
  205. And so he and I, they rolled the camera and he and I are just talking, we're like eating all the methamphetamine.14:15
  206. And that's what we use.14:23
  207. We use cotton candy, rock candy.14:24
  208. It's that bomb beyond insanity.14:31
  209. Whoa.14:35
  210. Do most people just take one bite?14:39
  211. Especially when we get here.14:43
  212. Here it comes.14:45
  213. Yeah.14:46
  214. Hello, mama.14:49
  215. Yeah.14:51
  216. Wow.14:52
  217. The bomb beyond it.14:53
  218. So what you're saying?14:54
  219. As I wipe my brows.14:56
  220. Yeah.14:58
  221. Careful around your eyes too.14:58
  222. Yeah.15:00
  223. Is that this is not the hottest one.15:02
  224. So here's where this might be good news.15:05
  225. This might be good news.15:09
  226. This one is the hottest one.15:10
  227. Oh, you know, like, you're switched things up.15:12
  228. We start by like the Scoville scale, which is a measure of cap station per unit.15:15
  229. There go the hiccups.15:19
  230. And this one actually falls here, but there's something about it.15:21
  231. That's crazy.15:24
  232. You know, like, remember when we did this like seven, eight years, seven, eight years ago, this was still here.15:25
  233. It's the only bottle that stayed on the table that whole time.15:31
  234. Yeah.15:34
  235. That one's kick ass.15:35
  236. Uh -huh.15:36
  237. So back in 2019, you and your breaking bad co -star, Aaron Paul launched dose home brace.15:37
  238. What distinguishes like a good mezcal from the kind that you were exposed to early on during like your poker playing days.15:43
  239. Um, okay.15:50
  240. So the difference is recipe, just like anything I could put in front of you all the ingredients to make the perfect dinner.15:53
  241. But if you're not a chef, you don't know how what goes with what and how to put it together.16:03
  242. It's the same thing with spirits.16:09
  243. How long do you smoke it?16:11
  244. How long do you ferment it?16:13
  245. How many times you filter it?16:14
  246. I mean, you know, he made it as a lot going on.16:16
  247. You look like you're in substantial pain.16:18
  248. Way worse than you.16:21
  249. Way worse than you, I have to say, you know, I'm like amazed at how well you took that.16:22
  250. That was a kick ass one.16:29
  251. Yeah.16:31
  252. It's still kicking.16:32
  253. But the way that you were able to just kind of internalize it, deliver an eloquent interview answer, and then look me up and down and be like, Hey, buddy,16:34
  254. what's going on with you?16:44
  255. Yes, that's true.16:47
  256. I'm impressed.16:48
  257. I'm humbled.16:48
  258. And you know, the interesting thing is, is, is the perspiration.16:49
  259. Yeah.16:54
  260. That's what always fascinates.16:54
  261. I can understand the power of the, of the peppers doing their thing in your mouth.16:55
  262. What's with the perspiration?17:01
  263. Woo.17:08
  264. That one is the hottest.17:10
  265. This was a white napkin when I started.17:12
  266. Wow.17:21
  267. So this next one is the butterfly bakery taco vibes only taco vibes only.17:22
  268. All right.17:29
  269. Now this one hot, but after the last one, kind of a walk in the park.17:35
  270. So far.17:43
  271. Look at you.17:44
  272. When you think about the odd jobs that you had before your breakthrough in Hollywood, is there one that you'd say was most paramount or helpful in your acting career?17:46
  273. Like I've heard you talk about when you worked at the dating matchmaking service, greater expectations or great expectations that it was almost like taking an acting class.17:54
  274. Great expectations.18:02
  275. Great company, very successful company.18:04
  276. It was the precursor to match .com and all those things.18:07
  277. And you'd go in and depending on your proclivity, you, you look at the men's or the women's and you're looking and you go, she smokes and I don't want18:12
  278. to be a smoker.18:21
  279. And then, oh, she's close.18:22
  280. She's, oh, we went to the same school.18:25
  281. We love basketball.18:26
  282. Oh, this looks like a nice person.18:28
  283. And then you'd go to see her tape.18:31
  284. And that's where I come in because I did the, the videotape interviews.18:33
  285. I would sit across from someone and I had a, a camera here, but I would never turn it on until I felt that, that that person's essence was real18:38
  286. and alive.18:48
  287. And then at some point they really did relax, calm down and they laugh.18:50
  288. And usually when they laughed at something, I'd start it.18:58
  289. So the first thing that the person watching their tape would see them laughing, which is the most engaging thing you can see.19:00
  290. Someone letting go and they laugh and then they're talking and we'd talk for a minute and a half, not long.19:07
  291. And I'd turn it off and I go, good, we're done.19:15
  292. And I go, well, wait, but I didn't get out, you know, that I like to do this.19:17
  293. And I go, that's not about that.19:22
  294. This is about them seeing you as you are most of the time.19:25
  295. That's what they want to see.19:30
  296. How is this person going to act when I'm sitting across from them drinking coffee?19:32
  297. And it was unbelievably successful.19:37
  298. It was really good.19:40
  299. Well, I can see why with employees like that.19:41
  300. All right.19:43
  301. All right, Brian Cranston.19:44
  302. Uh -oh, what's happening?19:45
  303. Okay, here we go.19:51
  304. Put a last dab.19:52
  305. Okay.19:54
  306. There you go.19:55
  307. Last dab.19:56
  308. Last dab.19:59
  309. Last dab will do you.20:00
  310. We're through.20:02
  311. Look at that.20:03
  312. We did it again.20:03
  313. We survived.20:05
  314. Look at us.20:05
  315. Who would have thought?20:06
  316. Okay, here it goes.20:07
  317. Cheers.20:08
  318. So to close things out, if you would, I'd love for you to unpackage this quote of yours.20:17
  319. The homework doesn't guarantee anything.20:21
  320. With luck, it gives you a shot at something real.20:24
  321. I often get asked by young acting students in high school and college, how do you do it?20:27
  322. Where, how do, how can I, you know, leap around and I go, short cut?20:33
  323. You live with a short cut?20:39
  324. Yeah, yeah, yeah.20:39
  325. How do you get away with it?20:40
  326. Like a drunk.20:41
  327. Like, ah, give me the short cut.20:43
  328. Give me the short cut.20:44
  329. I go, there isn't any.20:44
  330. There's no short cut.20:47
  331. Sorry.20:48
  332. Yeah.20:50
  333. Ooh.20:51
  334. The sweating thing is surprising.20:52
  335. But that's, that's what, that's what a real love of acting is, is, is, it's, it's a relationship.20:56
  336. It's not a fling.21:08
  337. It is committing to something for the rest of your life.21:10
  338. When I think of acting and I think of creating and writing, I mean, it occupies all of me and I love it.21:14
  339. If I ever start to complain about having to go to work at six o 'clock in the morning or not wanting to do anything, I don't want to do21:22
  340. that.21:32
  341. Then that's the sign.21:34
  342. I've, I've lost the flame and it's time to hang it up.21:35
  343. Mike, drop and look at you.21:40
  344. Brian Cranston for the second time taking on the hot ones gauntlet and living to tell the tale.21:42
  345. Now there's nothing left to do but roll out the red carpet for you.21:48
  346. This camera, this camera, this camera, let the people know what you have going on in your life.21:51
  347. Woo.21:55
  348. Um, well, second season of, of your honor, I'm very proud of it.21:55
  349. It's on showtime.22:00
  350. First season ended in tragedy.22:01
  351. Now we're exploring the world of grief and, and, um, forgiveness is that, is that still, we still able to have that in our society.22:04
  352. And some people will think that asking forgiveness or granting forgiveness is a weakness.22:16
  353. I think it's a human strength.22:23
  354. It's a human strength.22:25
  355. It'll allow you to be with other people, especially with a, uh, an intimate partner.22:27
  356. If you can't say you're sorry, you will never be in a long -term relationship.22:31
  357. Ha ha ha ha.22:38
  358. Woo.22:45
  359. And that's the hot ones experience.22:50
  360. Hot ones experience.22:51
  361. I'll see who, who would like, would you like some more?22:54
  362. I have eight, I have nine.22:58
  363. Woo.23:02
  364. Hot ones fans, exciting news.23:07
  365. The season 20 hot ones 10 pack is now available.23:09
  366. If you've ever watched from home and wonder to yourself, how hot are the wings really?23:12
  367. I've been one of those people that's like, oh, they're only taking one bite.23:17
  368. Well, you know what?23:20
  369. If you think you can do better, no, you can't.23:21
  370. And now is the time to put your money where your mouth is, literally with the hot ones season 20 10 pack available exclusively at heatness .com.23:22
  371. That's heatness .com, heatness .com, heatness .com to get your hands on the season 20 hot ones 10 pack.23:31
  372. Get them while they're hot.23:39

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193 слов в минуту — быстрее, чем 55% каталога
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gotta ×2
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portobello, distinguishes, ferment, tint, sequencing, comedic
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