Shadowing practice: Bryan Cranston Fully Commits While Eating Spicy Wings - Hot Ones

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  1. It takes a big jump.0:00
  2. Oh, this was a white napkin when I started.0:02
  3. Mm -hmm.0:05
  4. MUSIC Hey, what's going on, everybody?0:09
  5. For First We Feast, I'm Sean Evans, and you're watching Hot Ones.0:14
  6. It's the show with hot questions and even hotter wings.0:17
  7. And today we're joined by Brian Cranston.0:19
  8. He's a six -time Emmy -of -word -winning actor you know from acclaimed Broadway performances, films that include 2013's Best Picture, Argo, and iconic TV shows like Malcolm in the0:21
  9. Middle and Breaking Bad.0:29
  10. He also stars in the crime drama Your Honor, which returns for its much -anticipated second season on Showtime January 15th, and I for one can't wait.0:30
  11. Brian Cranston, welcome back to the show.0:38
  12. Oh, Sean, I'm already regretting this.0:40
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  1. What's going through your head as you prepare to take on this gauntlet for a second time?0:43
  2. When I did this before, it was like eight years ago, when I was promoting Y .H .I .M.0:46
  3. And I thought when I left, I thought, that was the most bizarre interview I've ever done.0:52
  4. This won't last.0:57
  5. It's a gimmick.1:00
  6. No celebrity in their right mind is going to do what I just...1:01
  7. Oh my God.1:05
  8. How many years have you been doing this now?1:06
  9. Since then, so yeah, like eight years.1:08
  10. Believe it or not.1:11
  11. And they said, you want to go on Hot Ones again?1:13
  12. I go, yeah.1:15
  13. Wait a minute, what was Hot Ones?1:16
  14. Wait, wait, wait.1:18
  15. But I'm up for the task.1:20
  16. I'm up.1:22
  17. I'm not familiar with any of these hot sauces, so you'll have to introduce them to me.1:23
  18. As we go along.1:28
  19. Well, it'll be an education.1:29
  20. Are you ready to get started?1:30
  21. Now your eyes are already starting to water.1:49
  22. Well, I'm just happy and proud to see you again.1:52
  23. It's more sentimental than anything.1:54
  24. Okay.1:56
  25. Well, this one is tasty, but not that hot.1:57
  26. Enjoy that while you can.2:00
  27. So there's some basic similarities between Michael, your character, and your honor, and Walter White, and the sense of having a good character who makes some dark choices in an2:09
  28. effort to protect their family.2:18
  29. What fascinates you about the life forces that can push an otherwise upstanding member of society towards a dark and morally compromised path?2:19
  30. Well, from an acting standpoint, they're the most fun to play.2:27
  31. When you have characters that are damaged to a certain point, complex, conflicted, flawed.2:31
  32. But I think what is the key to getting an audience behind you on those is that they see that there's something else trying to get out, trying to be2:40
  33. better, trying to improve.2:49
  34. And as long as an audience sees that someone isn't just relishing being bad, they'll root for you.2:51
  35. You know?3:00
  36. Chiquanda's Banshee Ranch.3:05
  37. Ooh.3:07
  38. Tasty.3:11
  39. So in a fresh air interview on the heels of your Tony Award winning performance as LBJ and all the way, you tell a fascinating little detail about the vocal3:13
  40. strain and physical toll of doing an eight show per week Broadway schedule.3:22
  41. What are silent Mondays and why have they served as a secret weapon for you?3:27
  42. There's a beautiful and talented actor named Audra McDonald.3:32
  43. And she is not only a great actor, but a terrific singer.3:38
  44. And she was doing Porgy and Bess at the time I was about to come in with All the Way, which is a three hour play.3:43
  45. And I can already start to feel the strain on my vocal cords.3:50
  46. And I thought, oh my God, I'm about to do six months on Broadway.3:56
  47. I need help.4:00
  48. How did you do Porgy and Bess?4:01
  49. And she told me that she went, I think, to her ear, nose and throat doctor and he wrote a prescription for her.4:03
  50. And the prescription was for silence.4:10
  51. No laughing, no whispering, no utterance of any kind completely shut down the vocal cords.4:14
  52. And I thought, you know what, I'm going to do that.4:22
  53. So at first it was odd, but I kept a pad around and my wife was there.4:25
  54. And I go, you know, hungry lunch and I go out and I go to a restaurant.4:29
  55. What's the soup?4:34
  56. You know, and pretty soon I started to keep some of these.4:35
  57. Where's my soup sign?4:38
  58. Here it is.4:39
  59. You know, it's like, what's the soup?4:40
  60. And people would go, they didn't get it that I'm on.4:42
  61. And I wrote one.4:46
  62. I'm on vocal rest.4:47
  63. Right.4:49
  64. And then in response to that, they go, oh, okay.4:49
  65. And I had another one.4:53
  66. You don't have to whisper.4:55
  67. Kadejo.5:02
  68. Man, it's a nasty looking thing.5:03
  69. Yeah.5:05
  70. It's like a mythical sort of like dog wolf.5:05
  71. And then when it would attack its eyes turn red.5:08
  72. Well, that happened to us when we eat it sauce.5:11
  73. We'll see if it's an attack mode.5:13
  74. They should do a little special effects right now.5:15
  75. Okay.5:20
  76. So while reading your memoir, a life in parts, I was really captured by the romantic way that you talk about baseball and being inspired by the way Walt Disney5:22
  77. And then when the Hollywood swing for the left field fences when the LA Dodgers played in the LA Coliseum, do you have an all time favorite vinscullism?5:29
  78. Well, I thought I did in 81 when he talked about, if you have a sombrero, throw it to the sky.5:37
  79. When Fernando Valenzuela pitched a no hitter, but then in 88, Kirk Gibson hits his home run.5:47
  80. You know, and he says, in a season filled with unprobable, the impossible has happened.5:54
  81. I still feel like I'm in mourning for him passing because I've been listening to him for 60 years and Vince Scully represented to me just more than baseball.6:02
  82. To me, it was a sanctuary.6:13
  83. When I had a rough childhood, I can always tune out, put on my transistor, put in my earphones and listen to him take me away.6:16
  84. And at least for those three hours, I felt like I was going to be okay.6:28
  85. Everything's safe, nothing to worry about.6:32
  86. And I would just listen to his mellifluous voice and he would tell stories and I would just go off and I'd get a baseball game I hear.6:35
  87. It just felt like floating sometimes.6:43
  88. Yeah.6:49
  89. Los Galientes Verdes.6:55
  90. Okay.6:57
  91. Going in.6:59
  92. Yeah.7:01
  93. Okay.7:02
  94. All right, so far so good.7:06
  95. There we go.7:08
  96. What did you mean when you said that an actor approaching a comedic scene can't for one second think what they're doing is funny?7:10
  97. If you're doing a sketch, like if you're doing Saturday Night Live, part of the fun from the audience perspective is they're having fun knowing you're having fun, right?7:16
  98. And so you're kind of in on it.7:29
  99. We all laugh when someone breaks character and starts cracking up and they're trying to look away.7:30
  100. We get even more enjoyment out of it and that's legitimate.7:35
  101. It's fun.7:39
  102. It's loose.7:40
  103. It's light.7:41
  104. But if you're doing a film or a television show that's carefully scripted, if the character realizes something's funny, it takes the onus off the audience to laugh because they're7:42
  105. doing it.7:58
  106. You're doing it.7:59
  107. It's the same thing when a character easily cries.7:59
  108. If a character cries easily, the audience doesn't have to.8:05
  109. But if a character tries not to cry, that's when the audience will.8:10
  110. Yeah, a little bit of courier.8:20
  111. So far, we're five in, five to go.8:23
  112. Halfway point.8:27
  113. Yep.8:28
  114. I gotta say, tasty, but not crushing.8:30
  115. Not like, oh my God, I can't do this anymore.8:35
  116. See, I told you, there should have been no nervousness about coming back, no anxiety about coming back.8:37
  117. You got this.8:43
  118. Well, this is only half time.8:44
  119. We got the whole second half.8:45
  120. We'll all do into a false sense of security in the front half.8:48
  121. Yeah.8:51
  122. So we talked to actors in the past about picking and sequencing roles, but you're the first one I've ever come across that has a full blown project assessment scale8:52
  123. where you break down everything from story to script, role, director and cast.8:59
  124. Of all the scripts that have come across your desk, what percentage would you say failed the writing test and then how early can you tell?9:05
  125. So the one I mentioned before that didn't have a high scale on the on the writing was why him.9:12
  126. Why him had a very simple premise.9:21
  127. Midwestern dad doesn't like the boyfriend of his, his, you know, cherished daughter.9:24
  128. That's it.9:30
  129. And I just didn't.9:32
  130. Anyway, I talked to my publicist and I said, is it possible that I can get a hold of Paul Rudd?9:34
  131. So I called Paul and I said, Paul, you worked on these movies before.9:42
  132. The script seems just kind of there.9:49
  133. There's some funny situations and jokes, but it doesn't like wow.9:52
  134. And he goes, that's kind of the nature of this kind of movie.9:58
  135. It relies heavily on the ensemble cast to be able to punch it up and just play.10:02
  136. So we will do scenes.10:10
  137. We will shoot the scene as it's written.10:12
  138. And then, then you go, then you're adding lines, then you're, how about this?10:14
  139. And then someone says something you add to on top.10:18
  140. Then pretty soon you're like, whoo, whoo, whoo, and it becomes something completely different.10:20
  141. And you can't script that.10:26
  142. Several improvisations that I came up with ended up in the film and it was like, oh man, this is, this is so much fun.10:28
  143. And so I learned my lesson from that.10:35
  144. It was a good lesson that that scale that I usually go by is not always accurate.10:37
  145. Mushroom mayhem.10:49
  146. Okay.10:49
  147. More portobello.10:52
  148. More portobello -ish.10:54
  149. So when we had Margot Robbie on the show, she talked about how working in soaps was a really great and valuable education for an actor because it taught you10:59
  150. how to work fast and be word perfect.11:07
  151. Does that resonate with you?11:09
  152. Yeah, fast.11:11
  153. You got to work fast.11:12
  154. And there's a pattern in daytime television.11:12
  155. I don't even know if the medium really even works anymore, but the pattern in daytime was people are watching a few times a week, but not every day.11:16
  156. Like two or two and a half times a week or something is the average.11:26
  157. So if I said, Sean, I saw you with Margot the other day and you're trying to get Catalan away from me, I will kill you.11:30
  158. You know, and then the next day, I might say, remember, Sean, when I warned you, when you talked to Margot, that if you got in the way of Catalan,11:40
  159. I would kill you.11:49
  160. It's so similar.11:51
  161. It's so similar that your brain said, no, you just said this and you're going, oh my God, I just said this.11:52
  162. I'm repeating it.11:57
  163. And you just go through.11:58
  164. I learned just plow through because at first I would stop and go, oh, sorry, I'm repeating, aren't I?11:59
  165. And they go, no, that's the line.12:05
  166. Oh, I'm so sorry.12:07
  167. Now I'm more sorry.12:08
  168. So now I just learned just go through and then go, was that right?12:10
  169. Yeah, it was right.12:14
  170. Okay.12:15
  171. And you move on.12:16
  172. Now we're getting psychotic.12:17
  173. Angry goat dreams of Calypso.12:19
  174. That's an interesting taste.12:26
  175. Mm -hmm.12:28
  176. Smells like Calypso.12:31
  177. Yeah, I can sense that coming down the line.12:38
  178. So I know that herbal tobacco is often used as a marijuana substitute in TV and film.12:42
  179. Do you have any insight into what goes into making like TV math?12:47
  180. Like what is TV math?12:51
  181. TV methamphetamine, the way we made it with a little blue tint, is actually rock candy.12:54
  182. And it and the flavor was cotton candy, rock candy.13:03
  183. I never tasted it until one night we were working.13:08
  184. It was probably the 16th or 17th hour we're working in the, in our dungeon downstairs, our lab down there.13:12
  185. And Gus Fring is making sure we're working and we're working.13:22
  186. And I see Aaron Paul reach into our product, our handful of our product and starts throwing, throwing the methamphetamine in his mouth.13:26
  187. I go, what are you doing?13:36
  188. You can't eat the product.13:38
  189. He goes, I'm getting so tired.13:39
  190. I mean, it's like you're really getting a high off this.13:41
  191. It's like, well, it's sugar.13:44
  192. And he goes, you've tasted it.13:46
  193. I go, no, I haven't tasted it.13:48
  194. He goes, oh, you should taste it.13:49
  195. I go, no, I don't think so.13:50
  196. He goes, and I guess I was still in character because Walter White wouldn't.13:52
  197. Right.13:56
  198. He goes, no, I'm not doing that.13:57
  199. And he goes, take, you gotta have one.13:59
  200. Yo, have one.14:02
  201. That's what he would say.14:04
  202. And so, all right, all right, to shut you up.14:06
  203. And I tasted one.14:09
  204. It was like, that's pretty good.14:10
  205. And so he and I, they rolled the camera and he and I are just talking, we're like eating all the methamphetamine.14:15
  206. And that's what we use.14:23
  207. We use cotton candy, rock candy.14:24
  208. It's that bomb beyond insanity.14:31
  209. Whoa.14:35
  210. Do most people just take one bite?14:39
  211. Especially when we get here.14:43
  212. Here it comes.14:45
  213. Yeah.14:46
  214. Hello, mama.14:49
  215. Yeah.14:51
  216. Wow.14:52
  217. The bomb beyond it.14:53
  218. So what you're saying?14:54
  219. As I wipe my brows.14:56
  220. Yeah.14:58
  221. Careful around your eyes too.14:58
  222. Yeah.15:00
  223. Is that this is not the hottest one.15:02
  224. So here's where this might be good news.15:05
  225. This might be good news.15:09
  226. This one is the hottest one.15:10
  227. Oh, you know, like, you're switched things up.15:12
  228. We start by like the Scoville scale, which is a measure of cap station per unit.15:15
  229. There go the hiccups.15:19
  230. And this one actually falls here, but there's something about it.15:21
  231. That's crazy.15:24
  232. You know, like, remember when we did this like seven, eight years, seven, eight years ago, this was still here.15:25
  233. It's the only bottle that stayed on the table that whole time.15:31
  234. Yeah.15:34
  235. That one's kick ass.15:35
  236. Uh -huh.15:36
  237. So back in 2019, you and your breaking bad co -star, Aaron Paul launched dose home brace.15:37
  238. What distinguishes like a good mezcal from the kind that you were exposed to early on during like your poker playing days.15:43
  239. Um, okay.15:50
  240. So the difference is recipe, just like anything I could put in front of you all the ingredients to make the perfect dinner.15:53
  241. But if you're not a chef, you don't know how what goes with what and how to put it together.16:03
  242. It's the same thing with spirits.16:09
  243. How long do you smoke it?16:11
  244. How long do you ferment it?16:13
  245. How many times you filter it?16:14
  246. I mean, you know, he made it as a lot going on.16:16
  247. You look like you're in substantial pain.16:18
  248. Way worse than you.16:21
  249. Way worse than you, I have to say, you know, I'm like amazed at how well you took that.16:22
  250. That was a kick ass one.16:29
  251. Yeah.16:31
  252. It's still kicking.16:32
  253. But the way that you were able to just kind of internalize it, deliver an eloquent interview answer, and then look me up and down and be like, Hey, buddy,16:34
  254. what's going on with you?16:44
  255. Yes, that's true.16:47
  256. I'm impressed.16:48
  257. I'm humbled.16:48
  258. And you know, the interesting thing is, is, is the perspiration.16:49
  259. Yeah.16:54
  260. That's what always fascinates.16:54
  261. I can understand the power of the, of the peppers doing their thing in your mouth.16:55
  262. What's with the perspiration?17:01
  263. Woo.17:08
  264. That one is the hottest.17:10
  265. This was a white napkin when I started.17:12
  266. Wow.17:21
  267. So this next one is the butterfly bakery taco vibes only taco vibes only.17:22
  268. All right.17:29
  269. Now this one hot, but after the last one, kind of a walk in the park.17:35
  270. So far.17:43
  271. Look at you.17:44
  272. When you think about the odd jobs that you had before your breakthrough in Hollywood, is there one that you'd say was most paramount or helpful in your acting career?17:46
  273. Like I've heard you talk about when you worked at the dating matchmaking service, greater expectations or great expectations that it was almost like taking an acting class.17:54
  274. Great expectations.18:02
  275. Great company, very successful company.18:04
  276. It was the precursor to match .com and all those things.18:07
  277. And you'd go in and depending on your proclivity, you, you look at the men's or the women's and you're looking and you go, she smokes and I don't want18:12
  278. to be a smoker.18:21
  279. And then, oh, she's close.18:22
  280. She's, oh, we went to the same school.18:25
  281. We love basketball.18:26
  282. Oh, this looks like a nice person.18:28
  283. And then you'd go to see her tape.18:31
  284. And that's where I come in because I did the, the videotape interviews.18:33
  285. I would sit across from someone and I had a, a camera here, but I would never turn it on until I felt that, that that person's essence was real18:38
  286. and alive.18:48
  287. And then at some point they really did relax, calm down and they laugh.18:50
  288. And usually when they laughed at something, I'd start it.18:58
  289. So the first thing that the person watching their tape would see them laughing, which is the most engaging thing you can see.19:00
  290. Someone letting go and they laugh and then they're talking and we'd talk for a minute and a half, not long.19:07
  291. And I'd turn it off and I go, good, we're done.19:15
  292. And I go, well, wait, but I didn't get out, you know, that I like to do this.19:17
  293. And I go, that's not about that.19:22
  294. This is about them seeing you as you are most of the time.19:25
  295. That's what they want to see.19:30
  296. How is this person going to act when I'm sitting across from them drinking coffee?19:32
  297. And it was unbelievably successful.19:37
  298. It was really good.19:40
  299. Well, I can see why with employees like that.19:41
  300. All right.19:43
  301. All right, Brian Cranston.19:44
  302. Uh -oh, what's happening?19:45
  303. Okay, here we go.19:51
  304. Put a last dab.19:52
  305. Okay.19:54
  306. There you go.19:55
  307. Last dab.19:56
  308. Last dab.19:59
  309. Last dab will do you.20:00
  310. We're through.20:02
  311. Look at that.20:03
  312. We did it again.20:03
  313. We survived.20:05
  314. Look at us.20:05
  315. Who would have thought?20:06
  316. Okay, here it goes.20:07
  317. Cheers.20:08
  318. So to close things out, if you would, I'd love for you to unpackage this quote of yours.20:17
  319. The homework doesn't guarantee anything.20:21
  320. With luck, it gives you a shot at something real.20:24
  321. I often get asked by young acting students in high school and college, how do you do it?20:27
  322. Where, how do, how can I, you know, leap around and I go, short cut?20:33
  323. You live with a short cut?20:39
  324. Yeah, yeah, yeah.20:39
  325. How do you get away with it?20:40
  326. Like a drunk.20:41
  327. Like, ah, give me the short cut.20:43
  328. Give me the short cut.20:44
  329. I go, there isn't any.20:44
  330. There's no short cut.20:47
  331. Sorry.20:48
  332. Yeah.20:50
  333. Ooh.20:51
  334. The sweating thing is surprising.20:52
  335. But that's, that's what, that's what a real love of acting is, is, is, it's, it's a relationship.20:56
  336. It's not a fling.21:08
  337. It is committing to something for the rest of your life.21:10
  338. When I think of acting and I think of creating and writing, I mean, it occupies all of me and I love it.21:14
  339. If I ever start to complain about having to go to work at six o 'clock in the morning or not wanting to do anything, I don't want to do21:22
  340. that.21:32
  341. Then that's the sign.21:34
  342. I've, I've lost the flame and it's time to hang it up.21:35
  343. Mike, drop and look at you.21:40
  344. Brian Cranston for the second time taking on the hot ones gauntlet and living to tell the tale.21:42
  345. Now there's nothing left to do but roll out the red carpet for you.21:48
  346. This camera, this camera, this camera, let the people know what you have going on in your life.21:51
  347. Woo.21:55
  348. Um, well, second season of, of your honor, I'm very proud of it.21:55
  349. It's on showtime.22:00
  350. First season ended in tragedy.22:01
  351. Now we're exploring the world of grief and, and, um, forgiveness is that, is that still, we still able to have that in our society.22:04
  352. And some people will think that asking forgiveness or granting forgiveness is a weakness.22:16
  353. I think it's a human strength.22:23
  354. It's a human strength.22:25
  355. It'll allow you to be with other people, especially with a, uh, an intimate partner.22:27
  356. If you can't say you're sorry, you will never be in a long -term relationship.22:31
  357. Ha ha ha ha.22:38
  358. Woo.22:45
  359. And that's the hot ones experience.22:50
  360. Hot ones experience.22:51
  361. I'll see who, who would like, would you like some more?22:54
  362. I have eight, I have nine.22:58
  363. Woo.23:02
  364. Hot ones fans, exciting news.23:07
  365. The season 20 hot ones 10 pack is now available.23:09
  366. If you've ever watched from home and wonder to yourself, how hot are the wings really?23:12
  367. I've been one of those people that's like, oh, they're only taking one bite.23:17
  368. Well, you know what?23:20
  369. If you think you can do better, no, you can't.23:21
  370. And now is the time to put your money where your mouth is, literally with the hot ones season 20 10 pack available exclusively at heatness .com.23:22
  371. That's heatness .com, heatness .com, heatness .com to get your hands on the season 20 hot ones 10 pack.23:31
  372. Get them while they're hot.23:39

American accent training with Bryan Cranston on Hot Ones

This is a real interview, not a scripted scene. Sean Evans hosts Bryan Cranston on Hot Ones, the show where a celebrity answers questions while eating increasingly hot wings. At B2 level and a pace of 193 words per minute, the talk moves fast, questions come quick, and reactions to the heat interrupt the answers. You hear how an American speaker actually responds under pressure, not how a script says he should.

It is two people talking, host and guest, which makes it a solid pick for english speaking practice built around a real exchange rather than a monologue: interruptions, half sentences, laughter breaking a line in two. Cranston is promoting a show and stays comfortable on camera, so his delivery holds up even as the wings get hotter, which is exactly the kind of American accent training a B2 learner can use.

Shadowing practice with the show's opening exchange

A few lines from the start show what you are working with.

  • "For First We Feast, I'm Sean Evans, and you're watching Hot Ones." Said in one breath at speed, the show's name lands on stressed syllables while the rest compresses, the kind of run together delivery daily english conversation practice needs to catch up to.
  • "It's the show with hot questions and even hotter wings." The two h words, "hot" and "hotter", sit right next to each other and Evans leans on both so the joke lands, good drilling for word stress.
  • "Oh, Sean, I'm already regretting this." Cranston's opening reaction: a contracted "I'm", a dry tone, delivered as one falling phrase rather than a formal sentence.
  • "Wait a minute, what was Hot Ones?" A question inside a question, rising then flattening out, the kind of turn that shows up constantly in everyday english.
  • "Now your eyes are already starting to water." Evans narrating what he sees in real time, useful for hearing how stress falls on "already" and "starting".
  • Further into the interview the recording carries two instances of the reduced "gotta", worth listening for once you reach them.

How to work through this Hot Ones clip

Take it in the order the interview gives you, not all at once.

  • Start with line 5, "For First We Feast, I'm Sean Evans, and you're watching Hot Ones." Play it, then shadow this line on its own until the pace stops feeling rushed.
  • Move to line 6, "It's the show with hot questions and even hotter wings," and repeat it until the two stressed h words come out even, not lopsided.
  • Sit with line 12, "Oh, Sean, I'm already regretting this," and copy the flat, dry delivery rather than reading it as excited.
  • Try line 25, "Wait a minute, what was Hot Ones?" and match the rise on "wait" before it flattens.
  • Once those four hold up at full speed, keep going past line 43 into the rest of the 385 lines, where the "gotta" reductions and the questions about Cranston's acting choices continue the same back and forth pace.
  • Play each line at normal speed first. Slow it down only if a word truly disappears, then bring it back to full speed, so what you practice matches english speaking practice for daily use as it actually sounds.
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